Ein Winzer Spiel
This suite was commissioned by “Winzerkapelle Oberbergen (D)”, on the occasion of their 200 year anniversary, in which a number of characteristic elements of the “Am Kaiserstuhl” wine region and the Oberbergen district are highlighted.
The work consists of 3 contrasting parts.
1. The Kaiserstuhl
An impression of the beautiful landscape with its rich history. In the middle of this part a specific part from “Der Kaiserstuhl” is highlighted, namely “Die Oberbergener Bassgeige” an area near Oberbergen in the form of a double bass (hence the name) in which high-quality vine culture takes place.
2. The St. Mauritius Kirche
The St. Mauritius Church is an inseparable part of Oberbergen, a beacon of peace and reflection.
3. The Winzerspiele
A playful final part of this suite in which the cozy and competitive wine festivals are illustrated in the form of a Waltz. The “Oberbergener Weinlied” is added here as an additional illustrative element to the uplifting nature of this part.
Specifications
About the composer
Christiaan Janssen
I was born on the 19th of February 1974 and have been involved with music since the age of five. When I was seven I went to the “Muziekacademie” in ’s Gravenvoeren in Belgium. There I learned Theory of music and Harmony, and also to play the trumpet and church organ. After this I studied conducting of wind, fanfare and brass bands with Pierre Kuijpers, organ with Dorthy de Rooij and symphony orchestra conducting with Jan Stulen at the Conservatory of Maastricht. I also took additional courses in conducting with several well known conductors. I have been conducting actively since 1994 and at present I am the conductor of a symphony orchestra and two wind bands. Since 1985 I have been experimenting with sound and have been developing as a self-taught composer. I have quite a wide number of compositions to my name amongst which are more than 100 pieces for wind bands. My works have a romantic character and often consist of only a few motifs from which the entire work develops. Counterpoint and a transparent instrumentation play a very important role in this. My work is, like that of all composers, influenced by past masters. The biggest influences on my work have been Johann Sebastian Bach, Anton Bruckner and Richard Strauss. In 2014, → “LBM Jubel-mars” was the winning composition at the composition contest of the “Limburgse Bond van Muziekgezelschappen” (LBM) in the occasion of their 75th anniversary jubilee. In 2015, → Cortège received a special mention by the Atlantic Reed Consort, during the annual Calefax Composers Competition of the famous Dutch wind ensemble Calefax. (→ website Calefax) In 2017, → Capriccio was the test piece in the 1st division for windbands, during the 2nd European Contest for windbands, fanfarebands and brassbands in Luxembourg. Also in 2017, → Suite #6 received a special mention by the Atlantic Reed Consort, during the annual Calefax Composers Competition 2017. I am regularly asked to write a piece or make an arrangement for a wide variety of ensembles, from chamber groups to wind bands and symphony orchestras. To an increasing extent my compositions are being performed by renowned orchestras such as, Fanfare band Brass-aux-Saxes Westerlo (B), Royal Bevers Wind orchestra Beveren-Leie (B), Royal Wind Band of Thorn (NL), Royal Wind Orchestra St. Michael Thorn (NL), Royal Philharmonic Wind orchestra Bocholtz (NL), Royal Old Wind Band of Eijsden (NL), Royal Wind Orchestra Sainte Cécile Eijsden (NL), Gran Canaria Wind Orchestra (ES), Banda de Lalin (ES) and many more…